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The Rainbow by Henry Moore

plate no. 4970

The Rainbow

Henry Moore, 1865

oil, canvasRealismlandscapelandscapecowstreesfieldsskyrainbow
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and rendering realistic textures of foliage and fields. It also provides practice in depicting animals in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, major landforms, and the placement of key elements like the trees, cows, and rainbow.

  2. step 02

    Block in the sky with broad strokes, capturing the gradient from light blue to the warmer tones near the horizon.

  3. step 03

    Establish the base colors for the distant hills and fields, paying attention to the subtle shifts in color and value due to atmospheric perspective.

  4. step 04

    Start building up the layers of foliage in the foreground, using darker greens and browns to create depth and shadow.

  5. step 05

    Add details to the cows and sheep, focusing on their basic shapes and proportions.

  6. step 06

    Carefully paint the rainbow, blending the colors softly and ensuring it aligns with the light source.

  7. step 07

    Refine the details in the foreground, adding highlights to the water and foliage to create a sense of realism.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced and harmonious.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian green

Achieve the greens by mixing yellow ochre and ultramarine blue, adjusting the ratio for different shades. Use burnt umber and ultramarine blue for dark shadows. Mix white with small amounts of other colors to create the subtle hues of the sky and distant hills.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·broken color
  • ·wet-on-dry blending

common pitfalls

  • →Overworking the details in the foreground, which can flatten the sense of depth.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Neglecting the subtle shifts in color and value due to atmospheric perspective.
  • →Failing to establish a clear light source, which can make the painting look confusing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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