
plate no. 3065
Hans Heysen, 1922
Recreating this painting will help students develop skills in layering washes to create depth and texture, as well as simplifying complex forms into basic shapes.
technical profile
approach — 8 steps
Lightly sketch the main shapes: the quarry face, the hill, and the machinery.
Apply a light wash of diluted yellow ochre and raw sienna to the entire paper as a base tone.
Begin layering washes of blues and grays for the sky, allowing some white of the paper to show through for clouds.
Using a slightly darker mix of raw sienna, burnt umber, and a touch of blue, begin defining the shadows and rock formations in the quarry face.
Add details to the machinery using a fine brush and a mix of neutral grays and browns.
Paint the trees on the hilltop with a mix of greens and browns, using broken brushstrokes to suggest foliage.
Add small figures to the scene using simple shapes and muted colors.
Refine details and add highlights with a dry brush technique using lighter tones.
color palette
primary · raw sienna · burnt umber · ultramarine blue
secondary · yellow ochre · payne's gray · titanium white
Mixes of raw sienna and burnt umber create the earthy tones of the quarry. Add ultramarine blue to these mixes to create shadows and cooler tones. Use white sparingly to lighten colors and create highlights.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varied textures.
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