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home·artworks·The Proposition
The Proposition by Judith Leyster

plate no. 9283

The Proposition

Judith Leyster, 1631

oil, panelBaroquegenre paintingfiguresinteriorcandlelighttableclothingshadows
some experience helpful

Recreating this painting will help students develop skills in rendering figures in chiaroscuro and understanding how light affects color and form. It also provides practice in depicting textures of fabric and skin.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and objects, paying attention to proportions and placement.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Block in the main color areas: skin tones, clothing, background.

  4. step 04

    Refine the light source and shadows, focusing on the dramatic contrast.

  5. step 05

    Develop the details of the faces, hands, and clothing folds.

  6. step 06

    Add highlights to create a sense of depth and realism.

  7. step 07

    Glaze thin layers of color to adjust tones and create subtle transitions.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium yellow light

Achieve the skin tones by mixing white, yellow ochre, and a touch of burnt sienna. Use ultramarine blue and black to create the dark blues of the dress, and mix white with yellow ochre and raw umber for the background.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending
  • ·underpainting

common pitfalls

  • →Over-blending and losing form
  • →Incorrect proportions of figures
  • →Failing to establish a strong light source
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to simplify the initial stages.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

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