
plate no. 9283
Judith Leyster, 1631
Recreating this painting will help students develop skills in rendering figures in chiaroscuro and understanding how light affects color and form. It also provides practice in depicting textures of fabric and skin.
technical profile
approach — 8 steps
Lightly sketch the main figures and objects, paying attention to proportions and placement.
Establish the overall value structure with a thin wash of burnt umber or similar earth tone.
Block in the main color areas: skin tones, clothing, background.
Refine the light source and shadows, focusing on the dramatic contrast.
Develop the details of the faces, hands, and clothing folds.
Add highlights to create a sense of depth and realism.
Glaze thin layers of color to adjust tones and create subtle transitions.
Add final details and adjust values as needed.
color palette
primary · ivory black · raw umber · titanium white · yellow ochre
secondary · ultramarine blue · burnt sienna · cadmium yellow light
Achieve the skin tones by mixing white, yellow ochre, and a touch of burnt sienna. Use ultramarine blue and black to create the dark blues of the dress, and mix white with yellow ochre and raw umber for the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a toned ground to simplify the initial stages.
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