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home·artworks·The proposition
The proposition by Filippo Indoni

plate no. 6989

The proposition

Filippo Indoni

watercolorRealismgenre paintingfiguresarchitecturecourtyardtablebottlesarches
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a realistic style and creating depth through atmospheric perspective. It also provides practice in depicting textures of stone and fabric using watercolor techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and perspective.

  2. step 02

    Establish the background washes, starting with the sky and distant elements.

  3. step 03

    Layer in the architectural details, using lighter values for areas further away.

  4. step 04

    Begin building up the figures, starting with the base tones and gradually adding shadows and highlights.

  5. step 05

    Work on the details of the clothing, faces, and hands, using smaller brushes.

  6. step 06

    Add the still life elements like the table, bottles, and hat, focusing on their form and texture.

  7. step 07

    Refine the shadows and highlights throughout the painting to create depth and dimension.

  8. step 08

    Add final details and touches to complete the painting.

color palette

primary · raw umber · burnt sienna · ultramarine blue

secondary · alizarin crimson · yellow ochre

Mix raw umber and ultramarine blue for the cool grays of the architecture. Use burnt sienna and alizarin crimson for the warm tones in the clothing and skin.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much water, which can lead to uncontrolled washes.
  • →Failing to establish a clear value structure.
  • →Not paying attention to the proportions of the figures.

materials

surface · watercolor paper 140lb cold press

required

  • ·Watercolor paper 140lb cold press
  • ·Watercolor paints (raw umber, burnt sienna, ultramarine blue, alizarin crimson, yellow ochre)
  • ·Round brushes (sizes 2, 6, 10)
  • ·Flat brush (1/2 inch)
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil and eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Watercolor pencils

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve various effects.

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watercolor techniques →how to learn by studying the masters →
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