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home·artworks·The Print Collector
The Print Collector by Honore Daumier

plate no. 5029

The Print Collector

Honore Daumier, 1860

oil, canvasRealismgenre paintingfigureinteriorpaintingsgallerymanart
some experience helpful

Recreating this painting will help students develop skills in capturing form with loose brushstrokes and creating a muted color palette with subtle variations. It also provides practice in depicting a figure in a believable pose and environment.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the figure and the main elements of the interior.

  2. step 02

    Block in the large shapes with thin washes of color, establishing the basic values and color relationships.

  3. step 03

    Develop the figure's form with directional brushstrokes, paying attention to the folds of the clothing and the contours of the body.

  4. step 04

    Add details to the face and hands, using small, precise brushstrokes to capture the features.

  5. step 05

    Paint the background, focusing on the arrangement of the paintings on the wall and the texture of the wall itself.

  6. step 06

    Refine the details of the table and the prints, using a dry brush technique to create texture.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the form and create visual interest.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · Prussian blue

Achieve the muted tones by mixing the primary colors with each other and with white. Use burnt sienna to add warmth and Prussian blue to create cooler shadows.

techniques

  • ·dry brush
  • ·scumbling
  • ·glazing
  • ·directional brushstrokes
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the loose, painterly quality of the original.
  • →Using too much color and creating a palette that is too bright or saturated.
  • →Failing to capture the correct proportions of the figure.
  • →Ignoring the subtle variations in value and color that create depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·Prussian blue oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a canvas with a medium texture to allow for the dry brush technique. Consider toning the canvas with a thin wash of raw umber before beginning to paint.

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oil painting for beginners →how to learn by studying the masters →
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