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home·artworks·The Prayer before the Meal
The Prayer before the Meal by Jean-Baptiste-Simeon Chardin

plate no. 2192

The Prayer before the Meal

Jean-Baptiste-Simeon Chardin, 1740

oil, canvasBaroquegenre paintingfiguresinteriortablechairsmealdomestic scene
some experience helpful

Recreating this painting will help students understand how to depict figures in a dimly lit interior and how to create a sense of depth using subtle value changes. It also provides practice in rendering fabric and simple objects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the table, paying attention to proportions and placement.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the lighter areas of the figures and tablecloth.

  3. step 03

    Begin refining the figures, starting with the faces and hands, using thin layers of paint.

  4. step 04

    Develop the drapery and clothing, focusing on the folds and highlights.

  5. step 05

    Paint the details of the table setting, including the plates, cutlery, and food.

  6. step 06

    Add the background details, such as the shelves and objects on them.

  7. step 07

    Refine the lighting and shadows, paying attention to the direction of the light source.

  8. step 08

    Add final details and highlights to create a sense of realism.

color palette

primary · burnt umber · raw umber · titanium white · ivory black

secondary · yellow ochre · Prussian blue · cadmium red

Use a limited palette of earth tones and white to create the muted colors of the painting. Mix small amounts of blue or red into the browns to create subtle variations in color temperature.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·blending

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Making the colors too bright or saturated.
  • →Failing to create a sense of depth in the background.
  • →Overworking the details and losing the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, raw umber, titanium white, ivory black, yellow ochre, Prussian blue, cadmium red)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use a canvas with a smooth surface to allow for smooth blending. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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