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home·artworks·The Poultry Woman
The Poultry Woman by Gabriel Metsu

plate no. 2247

The Poultry Woman

Gabriel Metsu, 1662

oil, panelBaroquegenre paintingfigurespoultrydoginteriormarketstill life
experienced study

Recreating this painting will help students develop skills in rendering realistic figures with subtle lighting and creating a sense of depth through atmospheric perspective. It also provides practice in depicting textures of various materials, such as fabric, wood, and feathers.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, paying attention to atmospheric perspective and softening details in the distance.

  4. step 04

    Refine the figures, focusing on accurate anatomy and subtle gradations of light and shadow.

  5. step 05

    Add details to the still life elements, such as the poultry, dog, and birdcages, capturing their textures and forms.

  6. step 06

    Pay attention to the expressions and interactions of the figures to convey the narrative of the scene.

  7. step 07

    Glaze thin layers of color to enhance the depth and richness of the painting.

  8. step 08

    Add final highlights and details to create a sense of realism and bring the painting to life.

color palette

primary · raw umber · ivory black · yellow ochre · titanium white

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve the dark, rich tones by mixing raw umber and ivory black. Use yellow ochre and titanium white for the skin tones, and add touches of burnt sienna and cadmium red for warmth. Mix ultramarine blue with raw umber and white for the cooler background tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering textures

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Using colors that are too saturated.
  • →Not paying enough attention to the proportions and anatomy of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before starting to paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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