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home·artworks·The Port of Middelburg
The Port of Middelburg by Adriaen van de Venne

plate no. 6591

The Port of Middelburg

Adriaen van de Venne, 1615

oilBaroquemarinashipswaterfigurescityscapeskyflags
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering complex scenes with many figures, and creating depth through layering and detail reduction.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: sky, water, land masses, and the largest ships.

  2. step 02

    Establish the horizon line and the basic perspective of the cityscape in the background.

  3. step 03

    Block in the main colors of the sky, water, and land, focusing on the overall value structure.

  4. step 04

    Start adding details to the ships, beginning with the largest one in the center. Pay attention to the rigging and sails.

  5. step 05

    Populate the foreground with figures, gradually adding more detail to those closer to the viewer.

  6. step 06

    Refine the cityscape in the background, simplifying details as they recede into the distance.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Finish with small details like flags, birds, and reflections in the water.

color palette

primary · ultramarine blue · raw umber · yellow ochre

secondary · burnt sienna · ivory black · titanium white

Mix muted blues and grays for the sky and water by combining ultramarine blue, raw umber, and white. Use yellow ochre and burnt sienna for the land and buildings, adjusting the values with white and black.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·scumbling
  • ·rendering small figures
  • ·glazing

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a clear value structure.
  • →Making the colors too saturated.
  • →Not simplifying details in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, raw umber, yellow ochre, burnt sienna, ivory black, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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