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home·artworks·The Pont de l'Estacade
The Pont de l'Estacade by Johan Jongkind

plate no. 9220

The Pont de l'Estacade

Johan Jongkind, 1853

oilRealismmarinariverboatsbridgebuildingsskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex structures with simplified forms. It also provides practice in capturing the subtle reflections and movement of water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the bridge, buildings, and boats.

  2. step 02

    Establish the sky with a gradient from darker blue at the top to lighter blue near the horizon.

  3. step 03

    Block in the large shapes of the buildings and bridge using dark, muted tones.

  4. step 04

    Paint the water with horizontal strokes, varying the color to suggest depth and reflections.

  5. step 05

    Add details to the boats and figures, paying attention to their relative sizes and positions.

  6. step 06

    Refine the details of the bridge structure, using thin lines and subtle variations in tone.

  7. step 07

    Add highlights to the water and buildings to create a sense of light and atmosphere.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the depth.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · ivory black

Mix blues and umbers with white for the sky and water. Use ochre and sienna to warm the tones of the buildings and bridge. Black is used sparingly to darken shadows.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·linear perspective

common pitfalls

  • →Overworking the details, losing the overall sense of atmosphere.
  • →Failing to establish a clear value structure, resulting in a flat, uninteresting painting.
  • →Inaccurate perspective, especially in the bridge and buildings.
  • →Ignoring the subtle color variations in the water and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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