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home·artworks·The Piazzetta, Venice
The Piazzetta, Venice by Antonietta Brandeis

plate no. 3555

The Piazzetta, Venice

Antonietta Brandeis

oilRealismcityscapewaterbuildingsskycloudsboatscityscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in painting architectural details and cloud formations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings and the horizon line.

  2. step 02

    Block in the large areas of color: sky, water, and the general tones of the buildings.

  3. step 03

    Establish the values in the sky, creating a sense of depth with lighter tones near the horizon.

  4. step 04

    Begin to define the architectural details of the buildings, paying attention to the light and shadow.

  5. step 05

    Add the reflections in the water, using slightly desaturated versions of the colors above.

  6. step 06

    Paint the boats and figures, keeping them simple and suggestive.

  7. step 07

    Refine the details and add highlights to create a sense of realism.

  8. step 08

    Add final touches and adjust values as needed to create a harmonious composition.

color palette

primary · cerulean blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · sap green

Mix the sky colors by gradually adding white to cerulean blue. Use raw umber and white for the buildings, adding touches of yellow ochre and burnt sienna for warmth. Mix greens with sap green and yellow ochre.

techniques

  • ·atmospheric perspective
  • ·rendering reflections
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details of the buildings, resulting in a stiff and unnatural look.
  • →Making the reflections too bright or saturated, which will flatten the image.
  • →Ignoring the subtle color variations in the sky and water.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·cerulean blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·sap green oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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