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home·artworks·The Physician
The Physician by Gerrit Dou

plate no. 5603

The Physician

Gerrit Dou, 1653

oil, panelBaroquegenre paintingfigureinteriorstill lifebookscurtainwindow
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery, and creating depth through atmospheric perspective. It also provides practice in painting reflective surfaces and intricate details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to proportions and placement of key elements.

  2. step 02

    Establish the dark background tones using a thin wash of burnt umber and black.

  3. step 03

    Block in the main shapes and colors of the figures and objects, focusing on accurate value relationships.

  4. step 04

    Begin refining the details of the faces, hands, and clothing, using small brushes and subtle color variations.

  5. step 05

    Carefully render the textures of the fabrics, metal, and glass, using techniques like dry brushing and glazing.

  6. step 06

    Pay close attention to the light source and how it affects the highlights and shadows on each object.

  7. step 07

    Add final details such as the patterns on the rug, the writing in the book, and the reflections in the glass.

  8. step 08

    Glaze the entire painting to unify the colors and create a sense of depth.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · ultramarine blue · cadmium red light · raw sienna

Achieve skin tones by mixing yellow ochre, cadmium red light, and titanium white, adjusting the proportions to create warm and cool variations. Use ultramarine blue and burnt umber to create the dark blues of the curtain. Mix burnt umber with small amounts of black and white for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·rendering reflective surfaces

common pitfalls

  • →overworking details too early
  • →not establishing strong value contrasts
  • →using colors that are too saturated
  • →failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for detailed rendering.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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