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home·artworks·The Penitent Magdalene
The Penitent Magdalene by Philippe de Champaigne

plate no. 1941

The Penitent Magdalene

Philippe de Champaigne, 1657

oil, canvasBaroquereligious paintingfigureskullbookcavereligiousdrapery
some experience helpful

Recreating this painting will help students develop skills in portraiture, drapery, and creating a sense of depth through chiaroscuro. It also provides practice in rendering realistic textures like hair and stone.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, skull, and book.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figure and drapery with mid-tone values.

  4. step 04

    Begin building up the highlights and shadows on the face, hands, and drapery, paying attention to the light source.

  5. step 05

    Carefully render the details of the hair, using thin layers of paint to create texture and volume.

  6. step 06

    Paint the skull and book, focusing on accurate proportions and subtle variations in tone.

  7. step 07

    Add the final details, such as the tears on the figure's face and the highlights on the skull.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the overall effect.

color palette

primary · ivory black · ultramarine blue · raw umber · burnt sienna

secondary · titanium white · yellow ochre

Mix various shades of brown by combining raw umber, burnt sienna, and ivory black. Achieve the blue drapery by mixing ultramarine blue with white and a touch of black for shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·portraiture
  • ·drapery
  • ·rendering textures

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Using too much paint in the initial layers.
  • →Inaccurate proportions of the figure and skull.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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