
plate no. 1941
Philippe de Champaigne, 1657
Recreating this painting will help students develop skills in portraiture, drapery, and creating a sense of depth through chiaroscuro. It also provides practice in rendering realistic textures like hair and stone.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, skull, and book.
Establish the dark background using a thin wash of dark brown or black.
Block in the main shapes of the figure and drapery with mid-tone values.
Begin building up the highlights and shadows on the face, hands, and drapery, paying attention to the light source.
Carefully render the details of the hair, using thin layers of paint to create texture and volume.
Paint the skull and book, focusing on accurate proportions and subtle variations in tone.
Add the final details, such as the tears on the figure's face and the highlights on the skull.
Glaze the painting with thin layers of color to unify the composition and enhance the overall effect.
color palette
primary · ivory black · ultramarine blue · raw umber · burnt sienna
secondary · titanium white · yellow ochre
Mix various shades of brown by combining raw umber, burnt sienna, and ivory black. Achieve the blue drapery by mixing ultramarine blue with white and a touch of black for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne