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home·artworks·The Penitent Magdalene
The Penitent Magdalene by Jan de Bray

plate no. 8644

The Penitent Magdalene

Jan de Bray

oil, panelBaroquereligious paintingfigureskullcrucifixhairdraperybook
experienced study

Recreating this painting will help students develop skills in portraiture, including rendering realistic skin tones and hair, as well as understanding chiaroscuro and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, skull, and crucifix.

  2. step 02

    Establish the background with dark, blended tones.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions.

  4. step 04

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Develop the drapery, focusing on the folds and highlights.

  6. step 06

    Paint the skull, carefully observing the bone structure and subtle color variations.

  7. step 07

    Add details to the hair, using varied brushstrokes to create texture.

  8. step 08

    Refine the details and adjust values to create a cohesive and realistic image.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, sienna, and a touch of red. Use umber and black for shadows, and add small amounts of blue to cool down the tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·blending

common pitfalls

  • →Over-blending, resulting in a flat and lifeless image.
  • →Incorrect proportions, especially in the figure's face and hands.
  • →Ignoring subtle color variations in the skin and skull.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or larger) is recommended.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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