
plate no. 4681
Georges de La Tour, 1640
Students would develop chiaroscuro lighting techniques and learn to paint convincing candlelit scenes with dramatic shadows and warm glowing highlights.
technical profile
approach — 8 steps
Start with a detailed drawing focusing on accurate proportions and positioning of the figure
Block in the darkest shadows using burnt umber mixed with ultramarine blue
Establish the warm candlelight source and its direct illumination areas
Paint the figure's flesh tones using warm ochres and siennas in the lit areas
Develop the white fabric with careful attention to how candlelight affects its color temperature
Add the ornate mirror frame details and reflected candle flames
Paint the red fabric with rich vermillion, showing how it catches and absorbs light
Refine edges and add subtle reflected light in shadow areas
color palette
primary · burnt umber · raw sienna · titanium white · cadmium red
secondary · ultramarine blue · yellow ochre · raw umber · cadmium yellow light
Mix warm flesh tones with white, yellow ochre, and a touch of red. Create deep shadows by combining burnt umber with ultramarine blue.
techniques
common pitfalls
surface · stretched canvas primed with warm gray ground
required
optional
A warm toned ground helps unify the candlelit atmosphere and reduces the stark white that can interfere with judging values
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