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home·artworks·The Penitent Magdalene
The Penitent Magdalene by Georges de La Tour

plate no. 4681

The Penitent Magdalene

Georges de La Tour, 1640

oilBaroquegenre paintingfigurecandlemirrorfabricinteriorstill life
experienced study

Students would develop chiaroscuro lighting techniques and learn to paint convincing candlelit scenes with dramatic shadows and warm glowing highlights.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
5
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Start with a detailed drawing focusing on accurate proportions and positioning of the figure

  2. step 02

    Block in the darkest shadows using burnt umber mixed with ultramarine blue

  3. step 03

    Establish the warm candlelight source and its direct illumination areas

  4. step 04

    Paint the figure's flesh tones using warm ochres and siennas in the lit areas

  5. step 05

    Develop the white fabric with careful attention to how candlelight affects its color temperature

  6. step 06

    Add the ornate mirror frame details and reflected candle flames

  7. step 07

    Paint the red fabric with rich vermillion, showing how it catches and absorbs light

  8. step 08

    Refine edges and add subtle reflected light in shadow areas

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · raw umber · cadmium yellow light

Mix warm flesh tones with white, yellow ochre, and a touch of red. Create deep shadows by combining burnt umber with ultramarine blue.

techniques

  • ·chiaroscuro lighting
  • ·glazing for luminous effects
  • ·soft edge blending
  • ·careful color temperature control
  • ·detailed brushwork for ornate objects

common pitfalls

  • →Making shadows too black without reflected light
  • →Overworking the soft transitions
  • →Using cool colors in candlelit areas
  • →Making the light source too harsh

materials

surface · stretched canvas primed with warm gray ground

required

  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·#4 flat brush
  • ·#2 round brush
  • ·canvas 16x20 inches

optional

  • ·glazing medium
  • ·#1 liner brush
  • ·palette knife
  • ·odorless mineral spirits

A warm toned ground helps unify the candlelit atmosphere and reduces the stark white that can interfere with judging values

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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