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home·artworks·The Penitent Magdalene
The Penitent Magdalene by Erasmus Quellinus the Younger

plate no. 3599

The Penitent Magdalene

Erasmus Quellinus the Younger

oil, canvasBaroquereligious paintingfiguredogcherubsdraperypearlsreligious
experienced study

Recreating this painting will help students develop skills in rendering realistic figures, drapery folds, and creating a sense of depth through layering and glazing. It also provides practice in capturing subtle skin tones and anatomical details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a toned ground (e.g., burnt umber wash).

  2. step 02

    Sketch the main figures and composition lightly with charcoal or thinned paint.

  3. step 03

    Block in the main shapes and colors, focusing on value relationships.

  4. step 04

    Develop the figures, starting with the face and hands, paying attention to anatomical accuracy.

  5. step 05

    Work on the drapery, capturing the folds and highlights with careful brushstrokes.

  6. step 06

    Add details such as the pearls and the dog, refining the forms.

  7. step 07

    Glaze layers of color to build depth and luminosity.

  8. step 08

    Add final highlights and shadows, and adjust the overall composition.

color palette

primary · burnt umber · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · ivory black · raw sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber or blue for shadows. Create the drapery colors by mixing red with umber and white for highlights. Use glazes of thinned color to create depth and luminosity.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Inaccurate proportions of the figures.
  • →Overly harsh or flat lighting.
  • →Poor blending of skin tones.
  • →Neglecting the subtle color variations in the drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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