apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Penitent Magdalen
The Penitent Magdalen by Pierre Puvis de Chavannes

plate no. 8422

The Penitent Magdalen

Pierre Puvis de Chavannes, 1897

oil, canvasSymbolismreligious paintingfigurelandscapeskyflowersclothrock
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing, rendering soft skin tones, and creating a sense of atmospheric perspective. It also provides practice in depicting drapery and simplified landscape elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
2
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the landscape elements.

  2. step 02

    Establish the background sky and distant landscape with thin washes of color.

  3. step 03

    Block in the main areas of the figure with a base layer of skin tone.

  4. step 04

    Begin layering and blending colors to define the figure's form and create subtle shadows and highlights.

  5. step 05

    Paint the drapery, paying attention to the folds and how they interact with the light.

  6. step 06

    Add details to the landscape, including the rocks and small yellow flowers.

  7. step 07

    Refine the overall composition and adjust colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · raw umber · ultramarine blue

secondary · cadmium yellow light · burnt sienna · alizarin crimson

Achieve the skin tones by mixing titanium white, yellow ochre, and a touch of raw umber and alizarin crimson. The sky is a mix of ultramarine blue and white, lightened towards the horizon. The rocks are a blend of raw umber, white, and a touch of blue.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·color layering
  • ·atmospheric perspective

common pitfalls

  • →overworking the skin tones
  • →creating harsh edges
  • →failing to establish a clear value structure
  • →inaccurate proportions of the figure

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a smooth canvas for easier blending. Consider using a medium to improve the flow of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull