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home·artworks·The Pardon of Saint John Chysostom
The Pardon of Saint John Chysostom by Mattia Preti

plate no. 5626

The Pardon of Saint John Chysostom

Mattia Preti, 1640

oilBaroquereligious paintingfiguresreligious scenecolumnsbabyrobesarchitecture
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating dramatic lighting effects. It also provides practice in capturing a sense of depth and narrative.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on the light source and how it affects the forms, paying attention to highlights and shadows.

  4. step 04

    Develop the figures, starting with the faces and hands, then moving to the drapery and clothing.

  5. step 05

    Gradually build up layers of color and detail, refining the forms and adding texture.

  6. step 06

    Pay close attention to the relationships between the figures and their surroundings.

  7. step 07

    Add final highlights and details to create a sense of realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the skin tones by mixing white, sienna, and a touch of red. Use umber and black for shadows, and add blue to darken the shadows further. Mix red and umber for the robes.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·figure drawing
  • ·drapery rendering
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of light and shadow.
  • →Not paying attention to the relationships between the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 18x24 inches) is recommended for beginners.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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