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home·artworks·The Painter with Charles Cottrell and Balthasar Gerbier
The Painter with Charles Cottrell and Balthasar Gerbier by William Dobson

plate no. 6459

The Painter with Charles Cottrell and Balthasar Gerbier

William Dobson

oilBaroqueportraitfiguresportraitsclothinghistoricalmen
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones, as well as understanding how to depict the texture of different fabrics and materials.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figures.

  3. step 03

    Begin to refine the shapes and values of the faces, paying attention to the light and shadow.

  4. step 04

    Work on the clothing, focusing on capturing the folds and textures of the fabrics.

  5. step 05

    Add details to the faces, such as the eyes, nose, and mouth.

  6. step 06

    Refine the background, adding details and texture.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and realistic look.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · cadmium red · ultramarine blue · burnt sienna

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use yellow ochre and cadmium red to create realistic skin tones. Add small amounts of ultramarine blue to darken shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the faces wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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