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home·artworks·The old player of Flageolet
The old player of Flageolet by Le Nain brothers

plate no. 3757

The old player of Flageolet

Le Nain brothers

oilBaroquegenre paintingfigureschildrenmusicianclothingportraitgroup
experienced study

Recreating this painting will help students develop skills in portraiture, capturing realistic skin tones, and rendering fabric textures with subtle value changes. It also provides practice in creating a sense of depth and atmosphere through careful layering and glazing.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures.

  2. step 02

    Establish the dark background with a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figures with mid-tone values, focusing on the overall light and shadow patterns.

  4. step 04

    Begin layering in darker values to create depth and form, especially in the clothing and hair.

  5. step 05

    Add highlights to the faces and other areas where light is hitting, using lighter tones of the local color.

  6. step 06

    Refine the details of the faces, including the eyes, nose, and mouth, using small brushes and subtle color variations.

  7. step 07

    Work on the textures of the clothing, using dry brush techniques or scumbling to create a sense of roughness or smoothness.

  8. step 08

    Glaze over the entire painting with thin layers of color to unify the composition and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve skin tones by mixing raw sienna, burnt umber, and titanium white, adding small amounts of cadmium red for warmth. Darken colors with ivory black and lighten with titanium white. Use ultramarine blue to neutralize browns and create shadows.

techniques

  • ·underpainting
  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Failing to establish a strong value structure before adding color.
  • →Using too much paint and losing the sense of atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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