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home·artworks·The Old Mount Vernon
The Old Mount Vernon by Eastman Johnson

plate no. 1268

The Old Mount Vernon

Eastman Johnson, 1857

oilRealismlandscapebuildingtreeslandscapeskyfiguresgrass
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering form with subtle value changes. It also provides practice in depicting architectural details and foliage.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and horizon line, paying attention to perspective.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the sky with a mix of yellow ochre, white, and a touch of burnt sienna, blending to create soft transitions.

  4. step 04

    Add the darker tones of the trees and foliage, using a mix of greens, browns, and blues.

  5. step 05

    Paint the buildings, starting with the base color and then adding highlights and shadows.

  6. step 06

    Refine the details of the architecture, such as windows, columns, and the roof.

  7. step 07

    Add the figures and other small details to bring the scene to life.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · sap green · ultramarine blue · cadmium red

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Create the warm sky tones by blending yellow ochre, white, and small amounts of burnt sienna.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a canvas with a smooth texture for easier blending. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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