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home·artworks·The Old Drinker
The Old Drinker by Gabriel Metsu

plate no. 7339

The Old Drinker

Gabriel Metsu, 1658

oil, panelBaroqueportraitfigureportraitbarrelpitcherinteriorpipe
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering textures, and understanding light and shadow to create depth. It also provides practice in creating realistic skin tones and depicting reflective surfaces.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, barrel, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas with thin washes of paint.

  3. step 03

    Focus on the figure's face, building up layers of color to create realistic skin tones and subtle variations in value.

  4. step 04

    Render the details of the clothing, paying attention to the folds and creases to create a sense of volume.

  5. step 05

    Paint the barrel, using a combination of blending and dry brush techniques to simulate the wood grain.

  6. step 06

    Carefully depict the metallic pitcher, capturing the highlights and reflections to create a convincing sense of realism.

  7. step 07

    Refine the background, adding details such as the jug and slate to create depth and context.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism and create a focal point.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of cadmium red and ultramarine blue to adjust the temperature of the browns and grays.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overblending, which can result in a flat, lifeless appearance.
  • →Ignoring the subtle variations in value, which can make the painting look unrealistic.
  • →Failing to capture the correct proportions of the figure.
  • →Getting the reflections on the pitcher wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, yellow ochre, cadmium red light, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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