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home·artworks·The Old Cupboard Door
The Old Cupboard Door by William Michael Harnett

plate no. 0956

The Old Cupboard Door

William Michael Harnett, 1889

oilRealismstill lifeviolinsheet musicbookscandledoorstill life
experienced study

Recreating this painting will help students develop skills in rendering realistic textures and creating a sense of depth through careful observation of light and shadow. It also provides practice in accurately depicting complex overlapping objects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of objects.

  2. step 02

    Block in the background color and the basic shapes of the main objects.

  3. step 03

    Start building up layers of color, focusing on the darkest shadows first.

  4. step 04

    Gradually add highlights and mid-tones, paying attention to the subtle variations in color and value.

  5. step 05

    Refine the details of each object, such as the texture of the wood, the details of the violin, and the lettering on the sheet music.

  6. step 06

    Pay close attention to the way light interacts with each object, creating highlights and shadows.

  7. step 07

    Add final details and adjust values as needed.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Achieve the aged paper effect by mixing raw sienna with a touch of burnt umber and white. Create the dark wood tones by blending burnt umber, ivory black, and a small amount of ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·trompe-l'oeil
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Failing to accurately capture the perspective and proportions of the objects.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Neglecting the subtle variations in color and value.
  • →Not paying enough attention to the way light interacts with the objects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. A smooth canvas surface will be helpful for achieving the fine details.

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oil painting for beginners →how to learn by studying the masters →
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