apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Officers of the St Adrian Militia Company
The Officers of the St Adrian Militia Company by Frans Hals

plate no. 3617

The Officers of the St Adrian Militia Company

Frans Hals, 1633

oil, canvasBaroqueportraitfiguresportraitsflagsweaponsclothinggroup portrait
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likenesses and rendering complex drapery, as well as understanding light and shadow in a multi-figure composition. It also provides practice in glazing and scumbling to achieve realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the overall composition and placement of figures.

  2. step 02

    Establish the background with broad, dark tones, focusing on the building and trees.

  3. step 03

    Block in the main shapes and values of each figure, paying attention to proportions and relative sizes.

  4. step 04

    Start developing the faces, focusing on accurate placement of features and subtle value changes.

  5. step 05

    Work on the clothing and accessories, building up layers of color and detail.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the flags, weapons, and other objects.

  8. step 08

    Apply glazes to unify the colors and create a sense of atmosphere.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red; use raw umber and ivory black for dark shadows; create variations in clothing by adding small amounts of blue or red to brown mixtures.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Getting proportions wrong, especially in a complex composition.
  • →Overworking details too early, before establishing the overall values.
  • →Failing to capture the likenesses of the individual figures.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes sizes 2, 4, 6, 8

optional

  • ·palette knife
  • ·linseed oil
  • ·dammar varnish

Use high-quality oil paints for best results. Consider using a toned canvas to establish a mid-tone ground.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne