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home·artworks·The Ninth of November, 1888
The Ninth of November, 1888 by William Logsdail

plate no. 1048

The Ninth of November, 1888

William Logsdail, 1890

oilNaturalismhistory paintingfiguresarchitecturestreet scenehorsescarriagecrowd
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and architectural details, as well as understanding atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main architectural elements and the placement of the figures.

  2. step 02

    Establish the overall value structure with a thin wash of neutral colors, focusing on the light and shadow patterns.

  3. step 03

    Block in the main shapes and colors of the buildings, paying attention to the subtle variations in tone.

  4. step 04

    Start adding details to the figures in the foreground, focusing on their costumes and facial features.

  5. step 05

    Develop the background figures and architecture, using softer edges and less detail to create depth.

  6. step 06

    Refine the reflections on the wet street, using horizontal brushstrokes and subtle color variations.

  7. step 07

    Add highlights and shadows to create a sense of form and volume.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · ivory black · raw umber · yellow ochre · cadmium red

secondary · ultramarine blue · burnt sienna · titanium white

Mix various shades of gray and brown by combining ivory black, raw umber, and yellow ochre. Use small amounts of cadmium red and ultramarine blue to add warmth or coolness to the grays.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details in the background
  • →Creating too much contrast in the shadows
  • →Failing to establish a clear focal point
  • →Inaccurate proportions of figures and architecture

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for detailed brushwork. Consider using a toned ground to establish a base color.

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