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home·artworks·View of the city of Nettuno at dawn with fishing boats
View of the city of Nettuno at dawn with fishing boats by Giovanni (Nino) Costa

plate no. 5967

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

oil, canvasNaturalismlandscapeseaboatsskymountainscitydawn
some experience helpful

This painting provides practice in atmospheric perspective and color mixing to create a sense of depth and distance. Students will also learn to simplify complex shapes and capture the essence of a scene with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a thin, warm-toned ground (e.g., raw umber or burnt sienna wash).

  2. step 02

    Lightly sketch the main compositional elements: horizon line, mountains, city silhouette, and boat positions.

  3. step 03

    Block in the sky with broad strokes, blending pinks, oranges, and purples to create the dawn effect.

  4. step 04

    Establish the distant mountains with muted blues and purples, using lighter values for the more distant peaks.

  5. step 05

    Paint the water with horizontal strokes, reflecting the colors of the sky and mountains.

  6. step 06

    Add the city silhouette, using darker values to define the buildings and structures.

  7. step 07

    Paint the boats in the foreground, paying attention to their shapes and reflections in the water.

  8. step 08

    Add final details and highlights to the boats and city, refining the overall composition.

color palette

primary · titanium white · alizarin crimson · ultramarine blue · yellow ochre

secondary · burnt sienna · raw umber

Achieve the sky colors by mixing white with varying amounts of alizarin crimson, yellow ochre, and ultramarine blue. Mute the mountain colors by adding a touch of burnt sienna or raw umber to the blues and purples.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·loose brushwork
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too saturated, resulting in a harsh and unrealistic scene.
  • →Failing to establish a clear value structure, leading to a flat and undifferentiated painting.
  • →Neglecting the reflections in the water, which are crucial for creating depth and realism.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x24 inches)
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A rectangular canvas format will best suit the panoramic composition. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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