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Nesebar by Felix Philipp Kanitz

plate no. 7490

Nesebar

Felix Philipp Kanitz, 1885

oilNaturalismlandscapeseaskycloudscityscapecoastlinehills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create a sense of distance and depth. It also provides practice in rendering subtle variations in water and sky.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line, the coastline, and the basic shapes of the city and foreground hills.

  2. step 02

    Block in the sky with a gradient of light yellow to pale blue, blending smoothly.

  3. step 03

    Paint the distant sea with a muted blue-gray, adding subtle horizontal strokes to suggest ripples.

  4. step 04

    Establish the base colors of the city in the distance, using warm yellows and oranges, keeping details minimal.

  5. step 05

    Define the land bridge connecting the city, using a mix of browns and grays, suggesting texture with short strokes.

  6. step 06

    Paint the foreground hills with darker browns and greens, adding highlights to indicate form.

  7. step 07

    Add small details like boats and figures to enhance the sense of scale and atmosphere.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a cohesive and harmonious image.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · titanium white · raw sienna · cadmium orange

Achieve the sky colors by mixing yellow ochre with titanium white and a touch of ultramarine blue. Use burnt umber and raw sienna for the earth tones, adjusting the proportions to create variations in shade and hue.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·dry brushing
  • ·layering
  • ·glazing

common pitfalls

  • →Overworking the details in the distant city, losing the sense of atmospheric perspective.
  • →Creating harsh lines and edges, failing to blend colors smoothly.
  • →Using colors that are too saturated, resulting in an unrealistic and jarring effect.
  • →Neglecting the importance of value contrast, leading to a flat and lifeless painting.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·round brushes (sizes 2, 6, 10)
  • ·watercolor paints
  • ·palette
  • ·water container
  • ·masking tape
  • ·kneaded eraser

optional

  • ·palette knife
  • ·watercolor pencils
  • ·ruler

Use high-quality watercolor paper to prevent buckling and ensure optimal color absorption. Experiment with different brush sizes to achieve varying levels of detail.

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oil painting for beginners →how to learn by studying the masters →
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