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home·artworks·The Nave and Choir of the Mariakerk in Utrecht, Seen from the West
The Nave and Choir of the Mariakerk in Utrecht, Seen from the West by Pieter Saenredam

plate no. 7073

The Nave and Choir of the Mariakerk in Utrecht, Seen from the West

Pieter Saenredam, 1641

oilBaroqueinteriorarchitectureinteriorchurchcolumnsfiguresarches
experienced study

Recreating this painting will help students develop skills in perspective drawing, color mixing for atmospheric perspective, and rendering architectural details with subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective grid and the placement of major architectural elements (columns, arches, walls).

  2. step 02

    Block in the large shapes of the interior space, paying attention to the receding perspective.

  3. step 03

    Establish the basic color palette by mixing neutral tones for the walls and floor.

  4. step 04

    Gradually build up the values, starting with the darkest shadows and working towards the lighter areas.

  5. step 05

    Add details to the columns, arches, and other architectural features, using fine brushes.

  6. step 06

    Paint the figures and other elements in the foreground, paying attention to their proportions and placement.

  7. step 07

    Add the gold details on the columns, using a fine brush and a steady hand.

  8. step 08

    Refine the overall composition and add any final details.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix various shades of gray and beige by combining raw umber, titanium white, and ivory black. Use yellow ochre and burnt sienna to add warmth to the highlights, and ultramarine blue to cool down the shadows.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering

common pitfalls

  • →Incorrect perspective, leading to a distorted representation of the interior space.
  • →Overly saturated colors, resulting in a painting that looks unnatural.
  • →Lack of attention to detail, making the architectural elements appear flat and lifeless.
  • →Ignoring the subtle value changes, resulting in a painting that lacks depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 18x24 inches) is recommended for beginners.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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