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home·artworks·The Mystic Marriage of St Catherine
The Mystic Marriage of St Catherine by Jan Cossiers

plate no. 0998

The Mystic Marriage of St Catherine

Jan Cossiers

panelBaroquereligious paintingfiguresreligious scenebabydraperyportrait
experienced study

Recreating this painting will help students develop skills in portraiture, figure drawing, and creating realistic skin tones with subtle color variations. It also provides practice in rendering drapery and creating a sense of depth through value and color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their relative positions, focusing on proportions.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main color masses for each figure: skin tones, clothing, and hair.

  4. step 04

    Begin layering in highlights and shadows to define the forms, paying attention to the light source.

  5. step 05

    Refine the details of the faces, focusing on capturing the expressions.

  6. step 06

    Add details to the drapery, using highlights and shadows to create folds and volume.

  7. step 07

    Mix and apply subtle color variations to the skin tones to create a realistic effect.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · ultramarine blue · cadmium red light · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use ultramarine blue and black for the dark background. Mix burnt umber and raw sienna for the brown drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →overmixing colors and creating muddy tones
  • →getting proportions wrong in the initial sketch
  • →failing to capture the subtle nuances of skin tones
  • →not creating enough contrast between light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Pre-toned canvas with a neutral color can be helpful.

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chiaroscuro →how to learn by studying the masters →
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