apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Mystic Marriage of Saint Catherine with Saint Joseph in attendance
The Mystic Marriage of Saint Catherine with Saint Joseph in attendance by Onorio Marinari

plate no. 2157

The Mystic Marriage of Saint Catherine with Saint Joseph in attendance

Onorio Marinari

oil, canvasBaroquereligious paintingfiguresreligious scenebabydraperycloudssaint
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and subtle color blending. It also provides practice in capturing soft lighting and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background and figures using thin washes.

  3. step 03

    Begin building up the values and details of the faces, paying attention to the light and shadow.

  4. step 04

    Develop the drapery folds, using highlights and shadows to create a sense of volume.

  5. step 05

    Refine the details of the hands, feet, and other small elements.

  6. step 06

    Add the final highlights and details to the faces and clothing.

  7. step 07

    Glaze over areas to unify the colors and create a sense of depth.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · titanium white

secondary · burnt umber · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create the blues by mixing ultramarine with white. Use burnt umber and raw sienna to create the darker tones and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh or muddy colors
  • →Lack of attention to detail in the faces
  • →Flat or lifeless drapery
  • →Ignoring the subtle gradations of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne