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home·artworks·The municipality of Roviano seen from Anticoli
The municipality of Roviano seen from Anticoli by Enrico Nardi

plate no. 9672

The municipality of Roviano seen from Anticoli

Enrico Nardi, 1898

watercolorRealismlandscapevillagehillsmountainslandscapebuildingssky
some experience helpful

Recreating this painting will help students develop skills in watercolor washes and layering to create depth and atmosphere. It also provides practice in rendering architectural forms in a loose, impressionistic style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: mountains, village, and foreground hills.

  2. step 02

    Apply a light wash of diluted yellow ochre and burnt sienna to the sky and hills.

  3. step 03

    Add a cooler wash of blue and grey to the mountains in the background.

  4. step 04

    Paint the village with a mix of grey, brown, and a touch of red, indicating the roofs.

  5. step 05

    Use darker washes to define the shadows and details of the buildings.

  6. step 06

    Add foliage around the village with short, broken strokes of green and brown.

  7. step 07

    Strengthen the foreground with darker values and more saturated colors.

  8. step 08

    Add final details like windows and architectural features with a fine brush.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · payne's gray · cadmium red

Mix yellow ochre and burnt sienna for the warm tones of the hills. Use ultramarine blue and burnt sienna to create various shades of grey for the buildings and mountains. Add a touch of cadmium red to the grey mix for the roofs.

techniques

  • ·watercolor washes
  • ·layering
  • ·dry brush
  • ·wet-on-dry
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, keep the painting loose and impressionistic.
  • →Using too much water, which can lead to uncontrolled washes.
  • →Making the colors too saturated, aim for muted and natural tones.
  • →Not allowing each layer to dry completely before applying the next.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 4, 8)
  • ·flat brush (size 1/2 inch)
  • ·water container
  • ·palette
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

watercolor techniques →how to learn by studying the masters →
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