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The mother of the artist by Giacomo Favretto

plate no. 2789

The mother of the artist

Giacomo Favretto, 1872

oil, canvasRealismportraitportraitwomandresshairjewelryfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle tonal variations in skin and fabric. It also provides practice in creating depth and form using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with a mid-tone gray, blending smoothly.

  3. step 03

    Block in the major shapes of the figure (head, torso, arms) with simplified values.

  4. step 04

    Refine the facial features, paying close attention to the light and shadow on the face.

  5. step 05

    Develop the details of the hair, using small brushstrokes to create texture.

  6. step 06

    Paint the dress, focusing on the folds and highlights to create a sense of volume.

  7. step 07

    Add the jewelry and lace details, using fine brushes.

  8. step 08

    Make final adjustments to the values and edges to create a cohesive and realistic portrait.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Achieve skin tones by mixing white, raw umber, and a touch of yellow ochre. Vary the proportions to create highlights and shadows. Darken areas with ivory black and payne's gray.

techniques

  • ·grisaille underpainting
  • ·blending
  • ·chiaroscuro
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle value changes in the skin.
  • →Getting lost in details too early.
  • →Not creating enough contrast

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·varnish

Use a smooth canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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