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home·artworks·The Mother of God with the fallen asleep Christ Child
The Mother of God with the fallen asleep Christ Child by Erasmus Quellinus the Younger

plate no. 1891

The Mother of God with the fallen asleep Christ Child

Erasmus Quellinus the Younger

oil, canvasBaroquereligious paintingfiguremotherchildreligiousdraperydark background
some experience helpful

Recreating this painting will help students develop skills in figure drawing, particularly the rendering of soft skin tones and drapery folds. It also provides practice in creating a sense of depth using subtle value changes and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their relative positions on the canvas.

  2. step 02

    Block in the large areas of color: the background, the mother's robe, and the child's skin.

  3. step 03

    Begin to refine the shapes of the figures, paying attention to the proportions and anatomy.

  4. step 04

    Develop the drapery folds, using light and shadow to create volume.

  5. step 05

    Mix and apply the skin tones, using thin layers of paint to achieve a soft, luminous effect.

  6. step 06

    Add details to the faces, such as the eyes, nose, and mouth.

  7. step 07

    Soften edges and blend colors to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the figures.

color palette

primary · ultramarine blue · raw umber · titanium white · burnt sienna

secondary · yellow ochre · alizarin crimson

Mix skin tones by blending white, burnt sienna, and a touch of yellow ochre and alizarin crimson. Use raw umber and ultramarine blue to create the dark background, varying the proportions to achieve different shades.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·figure drawing

common pitfalls

  • →Overworking the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to create a sense of depth in the background.
  • →Incorrect proportions of the figures.
  • →Harsh, unblended edges.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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