apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The model
The model by Angelo Dall'Oca Bianca

plate no. 2356

The model

Angelo Dall'Oca Bianca

oilRealismportraitportraitfigurewomanhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating subtle skin tones. It also provides practice in rendering soft, diffused lighting and blending colors seamlessly.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and hair.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color: skin, hair, clothing, and background.

  4. step 04

    Begin refining the skin tones, paying close attention to subtle shifts in color and value.

  5. step 05

    Develop the details of the hair, using a variety of brushstrokes to create texture and volume.

  6. step 06

    Refine the features of the face, focusing on capturing the likeness of the model.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · cadmium red light

secondary · yellow ochre · ivory black

Skin tones are achieved by mixing white, red, and umber, with small amounts of yellow ochre for warmth. Darker tones are created by adding ivory black or more burnt umber.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·value studies

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle shifts in value and color.
  • →Ignoring the importance of soft edges and diffused lighting.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (titanium white, burnt umber, cadmium red light, yellow ochre, ivory black)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A medium can be added to the paints to improve flow and drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy