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home·artworks·The Mocking of Christ
The Mocking of Christ by Domenico Fiasella

plate no. 5014

The Mocking of Christ

Domenico Fiasella

oil, canvasBaroquereligious paintingfiguresreligious scenecrown of thornsrobescrucifixion
experienced study

Recreating this painting will help students understand chiaroscuro and how to model forms using light and shadow. It also provides practice in rendering realistic skin tones and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light and shadow on the figures, starting with the darkest areas.

  4. step 04

    Begin building up the skin tones, paying attention to the subtle variations in color and value.

  5. step 05

    Paint the red robe, focusing on the folds and highlights.

  6. step 06

    Add details to the faces and hands, including the crown of thorns.

  7. step 07

    Refine the background and add any remaining details.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · ivory black

Achieve skin tones by mixing white, sienna, and a touch of red. Use burnt umber and black for shadows. Mix cadmium red with burnt umber to create the darker tones of the robe.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create enough contrast between light and shadow.
  • →Inaccurate proportions of the figures.
  • →Ignoring the subtle color variations in the skin and drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

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