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home·artworks·The Mobbing of a Long Eared Owl by Other Birds
The Mobbing of a Long Eared Owl by Other Birds by Tobias Stranover

plate no. 0299

The Mobbing of a Long Eared Owl by Other Birds

Tobias Stranover

oilBaroqueanimal paintingbirdsowltreesfoliageforestsky
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, creating depth through atmospheric perspective, and understanding color relationships in a complex composition. It also provides practice in painting detailed animal forms and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the owl, surrounding birds, and tree branches, focusing on overall composition.

  2. step 02

    Establish the background with a thin wash of muted greens and blues to create atmospheric perspective.

  3. step 03

    Block in the main colors of the owl, using darker tones for shadows and lighter tones for highlights.

  4. step 04

    Begin adding details to the owl's feathers, using small brushstrokes and varying shades of brown and ochre.

  5. step 05

    Paint the surrounding birds, paying attention to their individual colors and shapes.

  6. step 06

    Add details to the foliage, using a variety of greens, browns, and yellows to create texture and depth.

  7. step 07

    Refine the details of the owl and birds, adding highlights and shadows to create a sense of realism.

  8. step 08

    Add final touches, such as small branches and leaves, to complete the composition.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · cadmium red · cadmium yellow · viridian green

Mix various shades of brown and ochre for the owl's feathers. Use glazes of ultramarine blue and burnt umber to create shadows. Mix greens by combining yellow and blue, adding small amounts of red to mute the colors.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·feathering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating flat, lifeless colors.
  • →Failing to establish a strong value structure.
  • →Losing the overall composition in the details.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ultramarine blue, cadmium red, cadmium yellow, viridian green)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat, sizes 2-8)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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