
plate no. 4285
Bernardo Strozzi, 1625
Recreating this painting will help students understand chiaroscuro and how to model forms using light and shadow. It also provides practice in rendering different textures, such as fabric and skin.
technical profile
approach — 8 steps
Begin with a light sketch outlining the main figures and objects, paying attention to their proportions and placement.
Establish the darkest areas of the painting with a thin wash of dark brown or black.
Block in the main areas of color, focusing on the overall value structure.
Begin building up the light areas, gradually adding highlights to create form.
Refine the details of the figures, paying attention to facial expressions and anatomy.
Add details to the objects, such as the censer and the table.
Adjust the values and colors as needed to create a sense of depth and atmosphere.
Add final highlights and details to complete the painting.
color palette
primary · burnt umber · raw sienna · ivory black · titanium white
secondary · cadmium red light · yellow ochre
Achieve the warm browns by mixing burnt umber with raw sienna and a touch of red. Use white to create highlights and lighten the colors. Black is used sparingly to create the darkest shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Allow each layer to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne