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home·artworks·The Milkmaid
The Milkmaid by Nicolaes Maes

plate no. 3675

The Milkmaid

Nicolaes Maes, 1656

oilBaroquegenre paintingfiguresarchitecturebuildinginteriorexteriorvillage
some experience helpful

Recreating this painting will help students develop skills in rendering figures in light and shadow, as well as creating depth through atmospheric perspective. It also provides practice in depicting textures of different materials.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the architectural elements.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the local colors of the figures' clothing and the surrounding architecture.

  4. step 04

    Begin refining the forms of the figures, focusing on the transitions between light and shadow.

  5. step 05

    Add details to the architecture, such as the brickwork and the window.

  6. step 06

    Develop the background elements, using lighter values and softer edges to create atmospheric perspective.

  7. step 07

    Pay attention to the details of the objects in the foreground, such as the milk jug and the coins.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · red ochre

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of brown and gray by combining burnt umber, raw sienna, and ivory black with varying amounts of titanium white. Use ultramarine blue to cool down the browns and create shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details in the background.
  • →Failing to create a convincing sense of depth.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·red ochre oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color scheme.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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