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home·artworks·The midday meal
The midday meal by Léon Augustin Lhermitte

plate no. 9153

The midday meal

Léon Augustin Lhermitte

oilRealismgenre paintinginteriorfigurestablefamilymealdomestic scene
experienced study

Recreating this painting will help students develop skills in rendering figures in an interior setting and understanding the use of warm and cool tones to create depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the room's structure, the table, and the figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the walls, floor, and furniture, focusing on accurate color relationships.

  4. step 04

    Begin to develop the figures, paying close attention to proportions and anatomical accuracy.

  5. step 05

    Refine the details of the faces and clothing, adding highlights and shadows to create form.

  6. step 06

    Add details to the background elements, such as the furniture and the objects on the table.

  7. step 07

    Adjust the overall color harmony and value contrast to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · ultramarine blue · titanium white

secondary · yellow ochre · cadmium red light · ivory black

Mix various shades of brown and gray by combining burnt umber, raw sienna, ultramarine blue, and white. Use small amounts of cadmium red to warm up the browns and grays. Create skin tones by mixing white, yellow ochre, and a touch of red.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

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