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home·artworks·The Meeting of Pope Leo and Attila
The Meeting of Pope Leo and Attila by Francesco Solimena

plate no. 4541

The Meeting of Pope Leo and Attila

Francesco Solimena

oil, canvasBaroquereligious paintingfiguresreligioushistoricalarchitecturelandscapecrowd
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in capturing dynamic poses and expressions.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background landscape and architectural elements, focusing on atmospheric perspective.

  4. step 04

    Begin refining the figures, paying attention to anatomy and drapery folds.

  5. step 05

    Add details to the faces and hands, capturing the expressions and gestures.

  6. step 06

    Build up layers of color to create depth and richness.

  7. step 07

    Use highlights and shadows to define the forms and create a sense of drama.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the warm, earthy tones by mixing burnt umber, raw sienna, and white. Use ultramarine blue and ivory black to create cool shadows and atmospheric effects. Mix cadmium red with burnt umber for the red garments.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting.
  • →Inaccurate proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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