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home·artworks·The massacre of Altamura (preparatory sketch)
The massacre of Altamura (preparatory sketch) by Michele Cammarano

plate no. 8599

The massacre of Altamura (preparatory sketch)

Michele Cammarano, 1863

oil, canvasRealismhistory paintingfiguresbuildingskysmokecrowdarchitecture
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and creating atmospheric perspective using value and color. It will also improve their understanding of composition and how to create a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, the crowd, and the horizon line.

  2. step 02

    Establish the darkest and lightest values to create a sense of depth and drama.

  3. step 03

    Block in the main shapes of the building and the crowd using simplified color masses.

  4. step 04

    Begin to refine the details of the building, paying attention to the architectural elements and the effects of light and shadow.

  5. step 05

    Add details to the figures in the crowd, focusing on capturing their gestures and expressions.

  6. step 06

    Create atmospheric perspective by softening the edges and reducing the contrast of objects in the distance.

  7. step 07

    Add highlights and shadows to create a sense of form and volume.

  8. step 08

    Refine the overall composition and add any final details.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the muted tones by mixing earth tones with black and white. Use small amounts of red and blue to create subtle color variations in the figures and the sky.

techniques

  • ·grisaille underpainting
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting bogged down in details too early
  • →Failing to establish a strong value structure
  • →Overworking the painting
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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