apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Martyrdom of St Catherine
The Martyrdom of St Catherine by Jan Cossiers

plate no. 6373

The Martyrdom of St Catherine

Jan Cossiers, 1641

canvasBaroquereligious paintingfiguresreligious scenecrowdarchitectureinteriormartyrdom
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery, and creating dramatic lighting effects. It also provides practice in composing a complex scene with multiple figures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the figures one by one, paying attention to anatomy and expression.

  4. step 04

    Layer in details, such as clothing folds, facial features, and weapons.

  5. step 05

    Refine the lighting and shadows to create depth and drama.

  6. step 06

    Add highlights to emphasize focal points and create a sense of realism.

  7. step 07

    Work on the background elements, ensuring they support the main subject.

  8. step 08

    Make final adjustments to color, value, and detail to achieve a cohesive and polished result.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre · viridian

Achieve the rich, warm tones by mixing burnt umber and raw sienna with touches of red and yellow. Use ivory black and titanium white to create a range of values, and ultramarine blue and viridian for cooler shadows and highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of accurate anatomy.
  • →Overworking the painting and losing freshness.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne