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home·artworks·The Martelaarsgracht in Amsterdam
The Martelaarsgracht in Amsterdam by Adriaen van de Velde

plate no. 2724

The Martelaarsgracht in Amsterdam

Adriaen van de Velde, 1670

oil, panelBaroquecityscapebuildingswatertreesskyfigurescanal
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting architectural details and foliage with subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of buildings, water, and trees.

  2. step 02

    Establish the sky with broad, blended strokes, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the buildings using a limited palette of earth tones.

  4. step 04

    Add details to the buildings, such as windows, architectural features, and variations in brick color.

  5. step 05

    Paint the trees, using a variety of greens and browns to create texture and depth.

  6. step 06

    Render the water, paying attention to reflections of the buildings and sky.

  7. step 07

    Add figures and boats to create a sense of scale and activity.

  8. step 08

    Refine details and adjust values to create a cohesive and atmospheric painting.

color palette

primary · raw umber · burnt sienna · titanium white · Prussian blue

secondary · yellow ochre · ivory black · cadmium yellow light

Achieve the atmospheric haze by mixing white with small amounts of blue and umber. Create the dark water reflections by mixing umber, black, and a touch of blue.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering reflections
  • ·broken color

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate rendering of reflections in the water.
  • →Using colors that are too saturated, resulting in a painting that looks unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a toned canvas (e.g., light umber) to help establish values from the beginning.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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