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home·artworks·The Marriage of the Virgin
The Marriage of the Virgin by Bartolomé Esteban Murillo

plate no. 8797

The Marriage of the Virgin

Bartolomé Esteban Murillo, 1670

oil, mahogany panelBaroquereligious paintingfiguresmarriagereligious scenedraperyarchitecturedove
experienced study

Recreating this painting will help students develop skills in figure painting, drapery rendering, and creating a sense of depth through atmospheric perspective and value control. It also provides practice in capturing subtle skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin building up the forms of the figures, focusing on accurate anatomy and proportions.

  4. step 04

    Develop the drapery, paying attention to the folds and highlights.

  5. step 05

    Establish the background and architectural elements, using atmospheric perspective to create depth.

  6. step 06

    Refine the details of the faces and hands, capturing the expressions and gestures.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Glaze and adjust colors to achieve the desired effect.

color palette

primary · burnt umber · titanium white · ultramarine blue · yellow ochre

secondary · alizarin crimson · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt umber. Use ultramarine blue and white for the blue drapery, adding a touch of black for shadows. Mix burnt umber and black for the darker areas, and add white for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery study

common pitfalls

  • →Incorrect proportions of figures
  • →Overblending and losing form
  • →Ignoring the effects of light and shadow
  • →Getting muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gel
  • ·varnish
  • ·easel

Use a canvas with a smooth surface for best results. Consider using a medium to improve the flow and blending of the oil paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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