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home·artworks·The Market at Szolnok, Hungary
The Market at Szolnok, Hungary by August von Pettenkofen

plate no. 7512

The Market at Szolnok, Hungary

August von Pettenkofen, 1872

oil, panelRealismgenre paintingmarketfiguresbuildingsskycloudsanimals
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. It also provides practice in capturing light and shadow to create depth and mood.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key elements like buildings, figures, and the cross.

  2. step 02

    Block in the sky with broad strokes, focusing on capturing the light and dark areas of the clouds.

  3. step 03

    Establish the ground plane with a base color, then add variations in tone and texture to create depth.

  4. step 04

    Paint the buildings using simplified shapes and values, paying attention to their relative size and placement.

  5. step 05

    Add the figures in the foreground, focusing on capturing their basic forms and gestures.

  6. step 06

    Develop the details of the figures, adding clothing, facial features, and other distinguishing characteristics.

  7. step 07

    Introduce animals and other smaller elements to add interest and complexity to the scene.

  8. step 08

    Refine the overall painting by adjusting values, adding highlights, and softening edges as needed.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · Prussian blue · cadmium red light

Mix various shades of gray and brown by combining raw umber, white, and small amounts of blue or red. Use yellow ochre to create warm highlights in the sky and on the buildings.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·alla prima
  • ·broken color

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a strong sense of depth.
  • →Overworking the painting and losing the freshness of the initial brushstrokes.
  • →Inaccurate proportions of figures and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, titanium white, yellow ochre, burnt sienna, Prussian blue, cadmium red light)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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