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home·artworks·The Mariaplaats with the Mariakerk in Utrecht
The Mariaplaats with the Mariakerk in Utrecht by Pieter Saenredam

plate no. 7880

The Mariaplaats with the Mariakerk in Utrecht

Pieter Saenredam, 1663

oilBaroqueinteriorarchitecturebuildingsskyfigureslandscapechurch
some experience helpful

Recreating this painting will help students develop skills in architectural rendering, perspective, and creating subtle color variations in stone and sky. It also encourages careful observation of light and shadow.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings, focusing on accurate proportions.

  2. step 02

    Establish the horizon line and vanishing points to guide the perspective.

  3. step 03

    Block in the main color areas of the sky, buildings, and ground with thin washes.

  4. step 04

    Begin adding details to the buildings, such as windows, arches, and decorative elements.

  5. step 05

    Develop the shadows and highlights on the buildings to create depth and dimension.

  6. step 06

    Paint the figures and other small details in the foreground.

  7. step 07

    Refine the colors and values throughout the painting, paying attention to subtle variations.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · raw umber · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium yellow

Achieve the stone colors by mixing raw umber, yellow ochre, and titanium white in varying proportions. Use ultramarine blue and white for the sky, adding a touch of yellow ochre for warmth.

techniques

  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Inaccurate perspective can ruin the architectural accuracy.
  • →Overworking the details can make the painting look stiff.
  • →Failing to create subtle color variations can result in a flat, lifeless appearance.
  • →Ignoring atmospheric perspective will flatten the depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes size 2-6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a fine-grained canvas to allow for detailed brushwork. Thin the oil paints with linseed oil for smooth blending and glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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