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home·artworks·The Marauders
The Marauders by Willem Cornelisz Duyster

plate no. 4949

The Marauders

Willem Cornelisz Duyster, 1635

oilBaroquegenre paintingfiguresinteriorsclothinghatsgrouphistorical
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit environment and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the textures of different fabrics and materials with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their placement on the canvas, focusing on proportions and composition.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general areas of light and shadow on the figures.

  3. step 03

    Begin refining the shapes of the figures, paying attention to the folds and drapery of their clothing.

  4. step 04

    Mix and apply the local colors of the clothing and skin tones, gradually building up layers of paint.

  5. step 05

    Add details to the faces and hands, focusing on capturing the expressions and gestures of the figures.

  6. step 06

    Work on the background details, such as the wall and any objects in the scene, using a limited palette of muted colors.

  7. step 07

    Refine the highlights and shadows to create a sense of depth and volume.

  8. step 08

    Add final touches, such as small details and adjustments to the overall composition.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · Prussian blue

Achieve the muted tones by mixing earth pigments with black and white. Use small amounts of cadmium red to create the red skirt and the cape. Use yellow ochre to add warmth to the skin tones and clothing.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the painting process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, yellow ochre, Prussian blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a canvas with a smooth surface for easier blending. Consider using a toned canvas to establish the mid-tones of the painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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