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home·artworks·The Maas at Dordrecht
The Maas at Dordrecht by Aelbert Cuyp

plate no. 4849

The Maas at Dordrecht

Aelbert Cuyp, 1650

oilBaroquemarinaboatswaterskycloudsfigurescityscape
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in painting complex cloud formations and distant cityscapes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line and the placement of the major elements (boats, cityscape, clouds).

  2. step 02

    Block in the sky with a thin wash of blues and grays, paying attention to the subtle color variations in the clouds.

  3. step 03

    Establish the basic shapes and values of the water, using horizontal strokes to suggest the reflections.

  4. step 04

    Paint the distant cityscape with muted colors and soft edges to create atmospheric perspective.

  5. step 05

    Add the boats, starting with the largest one in the foreground and working your way back.

  6. step 06

    Develop the details of the figures on the boats, using small brushes and careful observation.

  7. step 07

    Refine the reflections in the water, using vertical strokes to create the illusion of movement.

  8. step 08

    Add final details such as the flags, ropes, and birds.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna · ivory black

Achieve the subtle sky tones by mixing ultramarine blue and titanium white with small amounts of raw umber. Create the water reflections by mixing the sky colors with raw umber and ivory black.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering reflections
  • ·dry brushing

common pitfalls

  • →Overworking the details in the distant cityscape, which can flatten the perspective.
  • →Making the reflections too literal, which can look unnatural.
  • →Using too much detail in the clouds, losing the sense of atmospheric depth.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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