apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Luxembourg Gardens, Paris
The Luxembourg Gardens, Paris by Albert Edelfelt

plate no. 2763

The Luxembourg Gardens, Paris

Albert Edelfelt, 1887

oil, canvasRealismgenre paintingfiguresparkchildrenarchitecturetreesgarden
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and understanding atmospheric perspective to create depth. It also provides practice in rendering fabrics and textures with subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and buildings.

  2. step 02

    Block in the main areas of color, starting with the sky and ground, then the larger shapes of the buildings and trees.

  3. step 03

    Establish the basic values for the figures, paying attention to the light and shadow patterns.

  4. step 04

    Refine the details of the figures, focusing on accurate proportions and facial features.

  5. step 05

    Add details to the architecture, including windows, roofs, and decorative elements.

  6. step 06

    Develop the foliage of the trees, using a variety of brushstrokes to create texture and depth.

  7. step 07

    Add highlights and shadows to create a sense of form and volume.

  8. step 08

    Make final adjustments to the colors and values to create a harmonious and balanced composition.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · cerulean blue · sap green

Mix muted greens by combining yellow ochre, cerulean blue, and a touch of raw umber. Achieve skin tones by blending titanium white, cadmium red light, and yellow ochre. Vary the proportions for different complexions.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·color mixing
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking details too early
  • →Incorrect proportions of figures
  • →Ignoring atmospheric perspective
  • →Using colors that are too saturated
  • →Lack of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·cerulean blue oil paint
  • ·round brushes sizes 2, 4, 6

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy