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home·artworks·The Lord gave and the Lord hath taken away, Blessed be the Name of the Lord
The Lord gave and the Lord hath taken away, Blessed be the Name of the Lord by Frank Holl

plate no. 9201

The Lord gave and the Lord hath taken away, Blessed be the Name of the Lord

Frank Holl, 1868

oil, canvasRealismgenre paintingfiguresinteriortablemourningreligiousfamily
experienced study

Recreating this painting will help students develop skills in depicting figures in a realistic setting and understanding how to use a limited palette to create a somber mood. Students will also learn to create subtle variations in tone and texture to add depth and interest to their work.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background and establish the overall mood of the painting.

  4. step 04

    Start building up the details of the figures, paying attention to the light and shadow.

  5. step 05

    Refine the details of the clothing and facial features.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the textures of the different surfaces.

  8. step 08

    Add final details and adjust the overall balance of the painting.

color palette

primary · burnt umber · ivory black · raw sienna

secondary · titanium white · yellow ochre

Mix burnt umber and ivory black for the dark clothing, adding small amounts of raw sienna or yellow ochre to warm the tones. Use titanium white to lighten the colors and create highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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