apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Little Milkmaid
The Little Milkmaid by Theodule Ribot

plate no. 3610

The Little Milkmaid

Theodule Ribot, 1865

oilRealismportraitfiguredogcatmilkmaidapronportrait
some experience helpful

Recreating this painting will help students develop skills in creating depth using value and in depicting realistic textures with visible brushstrokes. It's also a good exercise in capturing likeness and subtle facial expressions.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figure, dog, and cat.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figure, dog, and cat with mid-tone values.

  4. step 04

    Begin layering lighter values on the apron, face, and other areas to create form.

  5. step 05

    Add details to the face, paying attention to the subtle highlights and shadows.

  6. step 06

    Define the textures of the dog and cat's fur using short, broken brushstrokes.

  7. step 07

    Refine the edges and details throughout the painting.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · raw umber · titanium white · burnt sienna

secondary · yellow ochre · cadmium red light

Achieve the skin tones by mixing white, raw umber, and a touch of red. Use varying amounts of white to create highlights and shadows. Darken colors with ivory black and raw umber.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing
  • ·value studies
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the subtle tonal variations.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy